Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Thursday, February 2, 2017

Sometimes a wild god comes to the table...




Sometimes a wild god comes to the table.
He is awkward and does not know the ways
Of porcelain, of fork and mustard and silver.
His voice makes vinegar from wine.

When the wild god arrives at the door,
You will probably fear him.
He reminds you of something dark
That you might have dreamt,
Or the secret you do not wish to be shared.

He will not ring the doorbell;
Instead he scrapes with his fingers
Leaving blood on the paintwork,
Though primroses grow
In circles round his feet.

You do not want to let him in.
You are very busy.
It is late, or early, and besides…
You cannot look at him straight
Because he makes you want to cry.

The dog barks.
The wild god smiles,
Holds out his hand.
The dog licks his wounds
And leads him inside.

The wild god stands in your kitchen.
Ivy is taking over your sideboard;
Mistletoe has moved into the lampshades
And wrens have begun to sing
An old song in the mouth of your kettle.

‘I haven’t much,’ you say
And give him the worst of your food.
He sits at the table, bleeding.
He coughs up foxes.
There are otters in his eyes.

When your wife calls down,
You close the door and
Tell her it’s fine.
You will not let her see
The strange guest at your table.

The wild god asks for whiskey
And you pour a glass for him,
Then a glass for yourself.
Three snakes are beginning to nest
In your voicebox. You cough.

Oh, limitless space.
Oh, eternal mystery.
Oh, endless cycles of death and birth.
Oh, miracle of life.
Oh, the wondrous dance of it all.

You cough again,
Expectorate the snakes and
Water down the whiskey,
Wondering how you got so old
And where your passion went.

The wild god reaches into a bag
Made of moles and nightingale-skin.
He pulls out a two-reeded pipe,
Raises an eyebrow
And all the birds begin to sing.

The fox leaps into your eyes.
Otters rush from the darkness.
The snakes pour through your body.
Your dog howls and upstairs
Your wife both exults and weeps at once.

The wild god dances with your dog.
You dance with the sparrows.
A white stag pulls up a stool
And bellows hymns to enchantments.
A pelican leaps from chair to chair.

In the distance, warriors pour from their tombs.
Ancient gold grows like grass in the fields.
Everyone dreams the words to long-forgotten songs.
The hills echo and the grey stones ring
With laughter and madness and pain.

In the middle of the dance,
The house takes off from the ground.
Clouds climb through the windows;
Lightning pounds its fists on the table.
The moon leans in through the window.

The wild god points to your side.
You are bleeding heavily.
You have been bleeding for a long time,
Possibly since you were born.
There is a bear in the wound.

‘Why did you leave me to die?’
Asks the wild god and you say:
‘I was busy surviving.
The shops were all closed;
I didn’t know how. I’m sorry.’

Listen to them:

The fox in your neck and
The snakes in your arms and
The wren and the sparrow and the deer…
The great un-nameable beasts
In your liver and your kidneys and your heart…

There is a symphony of howling.
A cacophony of dissent.
The wild god nods his head and
You wake on the floor holding a knife,
A bottle and a handful of black fur.

Your dog is asleep on the table.
Your wife is stirring, far above.
Your cheeks are wet with tears;
Your mouth aches from laughter or shouting.
A black bear is sitting by the fire.

Sometimes a wild god comes to the table.
He is awkward and does not know the ways
Of porcelain, of fork and mustard and silver.
His voice makes vinegar from wine
And brings the dead to life.


Words: Tom Hirons at Coyopa - Tom's book, Sometimes a Wild God, which contains this and many other FINE examples of his wordsmithing is available via this link ---> http://shop.hedgespoken.org/products/sometimes-a-wild-god Please support artists & their work!

Art: Illustration by Janne Pitkanen & concept & photography by Harri Halme (from the album cover The Spirit of Ukko by Finnish band Kiuas)



Thursday, February 23, 2012

Japanese American internment - 70 years ago | haiku



rounded up


"Tagged for evacuation, Salinas, California," May 1942 | Russell Lee
This is a file from the Wikimedia Commons


February 20, 2012 marked the 70th anniversary of #EO9066, the executive order signed by Franklin Delano Roosevelt that authorized the deportation and eventual detainment of Japanese Americans from the west coast during World War II. Here is a great rundown of some of the essential facts related to internment, a particularly dark spot on our nation’s history and one glossed over by Democrats and Republicans alike.

Of the 120,000 Japanese-Americans imprisoned, 2/3 were American citizens making the number of Japanese-Americans interned without cause greater then the population of Wichita, Kansas. Americans with as little as 1/8 Japanese ancestry were interned, including orphan infants and Americans of Taiwanese and Korean descent.



70 Years Ago Japanese-American Removal and Internments Began | Care2 Causes


Poetry in History

...In an era of liberal personhood, when most — but certainly not all, recent legislation in Arizona being a case in point — citizens of the United States enjoy relative protection under the law, how are we to respond to the egregious moment in 1942 when crowds of Japanese immigrants and their American-born children were herded onto fairgrounds, relegated to horse stalls and racetracks, and “relocated” to barbed-wire compounds and hastily constructed prison barracks throughout the nation? And all this, in response to sentiment like that expressed by columnist Henry McLemore: “I am for the immediate removal of every Japanese on the West Coast to a point deep in the interior. I don’t mean a nice part of the interior either. Herd ‘em up, pack ‘em off and give ‘em the inside room in the badlands… Personally, I hate the Japanese. And that goes for all of them.”



Autumn foliage
California has now become
a far country


Yajin Nakao



Frosty night
listening to rumbling train
we have come a long way


Senbinshi Takaoka


The Delta Ginsha [a free-verse poetry club] was founded in 1918 by Neiji Qzawa… Its members met monthly and submitted their haiku to the master of the month, who was usually the host or hostess for the evening. They submitted for consideration as many poems as they desired. The poems were then read and discussed and a vote was taken to determine the best haiku… It was an evening anticipated by the members—grape growers, onion farmers, teachers, housewives, bankers, pharmacists, and others—who had assembled for an enlightening cultural and social event.


Poetry in History: Japanese American Internment | Lantern Review Blog


Executive Order 9066


Japanese-American internment was the relocation and internment by the United States government in 1942 of approximately 110,000 Japanese Americans and Japanese who lived along the Pacific coast of the United States to camps called "War Relocation Camps," in the wake of Imperial Japan's attack on Pearl Harbor.[1][2] The internment of Japanese Americans was applied unequally throughout the United States. Japanese Americans who lived on the West Coast of the United States were all interned, while in Hawaii, where more than 150,000 Japanese Americans composed over one-third of the territory's population, 1,200[3] to 1,800 Japanese Americans were interned.[4] Of those interned, 62% were American citizens.[5][6]

President Franklin D. Roosevelt authorized the internment with Executive Order 9066, issued February 19, 1942, which allowed local military commanders to designate "military areas" as "exclusion zones," from which "any or all persons may be excluded." This power was used to declare that all people of Japanese ancestry were excluded from the entire Pacific coast, including all of California and much of Oregon, Washington and Arizona, except for those in internment camps.[7] In 1944, the Supreme Court upheld the constitutionality of the exclusion orders,[8] while noting that the provisions that singled out people of Japanese ancestry were a separate issue outside the scope of the proceedings.[9] The United States Census Bureau assisted the internment efforts by providing confidential neighborhood information on Japanese Americans. The Bureau's role was denied for decades, but was finally proven in 2007.[10][11]
In 1988, Congress passed and President Ronald Reagan signed legislation which apologized for the internment on behalf of the U.S. government. The legislation said that government actions were based on "race prejudice, war hysteria, and a failure of political leadership".[12] The U.S. government eventually disbursed more than $1.6 billion in reparations to Japanese Americans who had been interned and their heirs.[13]


Japanese American internment - Wikipedia, the free encyclopedia




The Amache Japanese Internment Camp at Granada, Colorado


Friday, February 3, 2012

The Great Bell Chant | Thich Nath Hanh, Gregory Colbert, Phap Niem




ashes & snow - the video collage of Gregory Colbert's photos and with Thich Nath Hanh and Phap Niem - "The Great Bell Chant (Simple wish)" - was taken offline by the user.

now i find this -



haven't watched it all yet - maybe it contains The Great Bell Chant



The Great Bell Chant ( Simple wish..)

may the sound of this bell
penetrate deep into the Kosmos
even in the darkest spots
living beings are able to hear it clearly
so that all suffering in them cease
understanding come to their heart
and they transcend the path of sorrow and death

When everything seems to go fallind down around (in an Ego based perception ...) , when the reallity you perceive doesn´t fill you or answer you, go deeply inside ... close your eyes, stay still and quiet for a while ... yes, impermanence of forms scares us. Yet ... observe and realise that we are wider then this form ... observe and realise that beyond this form I am You and You are Me ... observe and find deep inside of you . Just make the experience.

"We may think of peace as the absence of war, that if the great powers would reduce their weapons arsenals, we could have peace. But if we look deeply into the weapons, we will see our own minds - our own prejudices, fears, and ignorance."
- Thich Nhat Hanh

With a profound Love and reverence for my Beloved ... here and now, with a deep soul´s longing.

Music: "The Great Bell Chant" , read by Thich Nath Hanh, chanted by brother Phap Niem.

Images: "Ashes and Snow", Gregory Colbert , remembering the interdependence of existence ...(http://www.ashesandsnow.org/vision) >


Gregory Colbert's Vision - ashes and snow


“In exploring the shared language and poetic sensibilities of all animals, I am working towards rediscovering the common ground that once existed when people lived in harmony with animals. The images depict a world that is without beginning or end, here or there, past or present.”
— Gregory Colbert, Creator of Ashes and Snow

The photographic artworks of Gregory Colbert explore the poetic sensibilities of animals in their natural habitat as they interact with human beings. No longer shown as merely a member of the family of man, humans are seen as a member of the family of animals. None of the images have been digitally collaged.

Gregory Colbert's Ashes and Snow is an ongoing project that weaves together photographic works, 35mm films, art installations and a novel in letters. With profound patience and an enduring commitment to the expressive and artistic nature of animals, he has captured extraordinary interactions between humans and animals.

His 21st-century bestiary includes totemic species from around the world. Since he began creating his singular work of Ashes and Snow in 1992, Colbert has undertaken photographic and filming expeditions to locations such as India, Egypt, Burma, Tonga, Sri Lanka, Namibia, Kenya, Antarctica, the Azores, and Borneo.


ashes and snow

see also: codex ashes and snow


Thicht Nhat Hanh


One of the best known and most respected Zen masters in the world today, poet, and peace and human rights activist, Thich Nhat Hanh has led an extraordinary life. Born in central Vietnam in 1926 he joined the monkshood at the age of sixteen. The Vietnam War confronted the monasteries with the question of whether to adhere to the contemplative life and remain meditating in the monasteries, or to help the villagers suffering under bombings and other devastation of the war. Nhat Hanh was one of those who chose to do both, helping to found the 'engaged Buddhism' movement. His life has since been dedicated to the work of inner transformation for the benefit of individuals and society.


whats more: Ram Dass interviews Thicht Nhat Hanh (1995)


see also > Plum Village
Plum Village Meditation Practice Center -
The Most Venerable Thich Nhat Hanh , our spiritual teacher, founded the Unified Buddhist Church (Eglise Bouddhique Unifieé) in France in 1969, during the Vietnam war. Thich Nhat Hanh is a Vietnamese Buddhist monk, a poet, a scholar, and a peace activist. His life long efforts to generate peace and reconciliation moved Martin Luther King, Jr. to nominate him for the Nobel Peace Prize in 1967. He founded the Van Hanh Buddhist University in Saigon and the School for Youths of Social Services in Vietnam. When not travelling the world to teach “The Art of Mindful Living”, he teaches, writes, and gardens in Plum Village, France, a Buddhist monastery for monks and nuns and a mindfulness practice center for lay people.

The Unified Buddhist Church established Sweet Potatoes Community in 1975, Plum Village in 1982, the Dharma Cloud Temple and the Dharma Nectar Temple in 1988, and the Adornment of Loving Kindness Temple in 1995. Thich Nhat Hanh’s sangha (community of practice) in France is usually referred to as the Plum Village Sangha.


Phap Niem & the end of suffering

? not finding much on Phap Niem except some more cool videos with the same soundtrack as above (not doing well with the language barrier with Vietnamese)... and some info on a book -
Thay Phap Niem ( of The Buddha's Diamonds)
His childhood experiences form the basis of THE BUDDHA'S DIAMONDS. A year after the storm depicted in the story, he escaped postwar Vietnam and became a Buddhist monk. All of his royalties will be donated to the Touching and Helping Programs in Vietnam.


The End Of Suffering - Thich Phap Niem (Tang Than Lang Mai)

The Great Bell Chant (The End of Suffering) from R Smittenaar on Vimeo.


Read by Thich Nath Hanh, chanted by brother Phap Niem.

The creators of this audio track were Gary Malkin, the composer/arranger, producer, and collaborator Michael Stillwater. The work came from a CD/book called Graceful Passages: A Companion for Living and Dying, and it could be purchased by going to wisdomoftheworld.com.

Visuals taken from:
HOME, Earth and Baraka

You can download the audio here
MP3 Download: wkup.org/images/audio/thay_phapniem_greatbellchant.mp3



GlobaLove Think Tank | the end of suffering

Thursday, January 26, 2012

Gung Hay Fat Choy - The Dragon 2012





THE DRAGON

I am an unquenchable fire,
The center of all energy,
The stout heroic heart.
I am truth and light,
I hold power and glory in my sway.
My presence disperses dark clouds.
I have been chosen
To tame the Fates.

I AM THE DRAGON - 2012


The festival begins on the first day of the first month in the traditional Chinese calendar (January 23 this year) and ends with Lantern Festival which is on the 15th day


23 January 2012 – 9 February 2013: Water Dragon
Dragon (zodiac) - Wikipedia, the free encyclopedia



Chinese New Year is the most important of the traditional Chinese holidays. In China, it is known as "Spring Festival," the literal translation of the Chinese name 春節 (Pinyin: Chūnjié), since the spring season in Chinese calendar starts with lichun, the first solar term in a Chinese calendar year. It marks the end of the winter season, analogous to the Western Carnival. The festival begins on the first day of the first month (Chinese: 正月; pinyin: Zhēngyuè) in the traditional Chinese calendar and ends with Lantern Festival which is on the 15th day. Chinese New Year's Eve, a day where Chinese families gather for their annual reunion dinner, is known as Chúxī (除夕) or "Eve of the Passing Year." Because the Chinese calendar is lunisolar, the Chinese New Year is often referred to as the "Lunar New Year".

Chinese New Year is the longest and most important festivity in the Chinese calendar. The origin of Chinese New Year is itself centuries old and gains significance because of several myths and traditions. Chinese New Year is celebrated in countries and territories with significant Chinese populations, such as Mainland China, Hong Kong, Macau, Taiwan, Singapore, Thailand, Indonesia, Malaysia, Philippines, Vietnam, and also in Chinatowns elsewhere. Chinese New Year is considered a major holiday for the Chinese and has had influence on the lunar new year celebrations of its geographic neighbors. These include Korean (Seollal), Bhutanese (Losar), and Vietnamese cultures.

Within China, regional customs and traditions concerning the celebration of the Chinese new year vary widely. People will pour out their money to buy presents, decoration, material, food, and clothing. It is also traditional for every family to thoroughly cleanse the house, in order to sweep away any ill-fortune and to make way for good incoming luck. Windows and doors will be decorated with red colour paper-cuts and couplets with popular themes of "good fortune" or "happiness", "wealth", and "longevity". On the Eve of Chinese New Year, supper is a feast with families. Food will include such items as pigs, ducks, chicken and sweet delicacies. The family will end the night with firecrackers. Early the next morning, children will greet their parents by wishing them a healthy and happy new year, and receive money in red paper envelopes. The Chinese New Year tradition is to reconcile, forget all grudges and sincerely wish peace and happiness for everyone.

Although the Chinese calendar traditionally does not use continuously numbered years, outside China its years are often numbered from the reign of the Yellow Emperor. But at least three different years numbered 1 are now used by various scholars, making the year beginning in AD 2012 the "Chinese Year" 4710, 4709, or 4649.


Chinese New Year - Wikipedia, the free encyclopedia


Saturday, December 3, 2011

red leaves, autumn wind



updated presentation of a photo from last year

red leaves align
with force of wind
all the buddhas shout



original: what it is: red leaves, autumn wind

see also > what it is: Fall in Mixed Woodland, Mendocino County (Nov. 2009)

Tuesday, November 8, 2011

Syrena


 

The Siren, by John William Waterhouse (circa 1900),
depicted as a fish-chimera.

  Syrena

seductive and promising -
knowing both the past and the future,
her song ends with death.

In Greek mythology, the Sirens (Greek singular: Σειρήν Seirēn; Greek plural: Σειρῆνες Seirēnes) were three dangerous bird-women, portrayed as seductresses who lured nearby sailors with their enchanting music and voices to shipwreck on the rocky coast of their island.

Siren - Wikipedia, the free encyclopedia